Retrospective documentary about the making of "Return of the Living Dead Part II."

Eighteen months after the events at the UNEEDA Warehouse in Louisville, KY, a new Trioxin 2-4-5 leak puts a small Pennsylvania town on the brink of a zombie outbreak during Christmas 1985.

Desperately grasping for some semblance of normalcy in a post-apocalyptic existence, a small island of people face an unimaginable terror that threatens everything it means to be human.

A teenage girl is charged with the attempted murder of a gangland figure. Her mother has also been shot. To further complicate matters, the girl's father, who went missing in action in WW2 fifteen years ago, has suddenly reappeared.

The long-awaited second feature film by Billy Woodberry recovers the legend, legacy and ultimately tragic life of Beat-poet Bob Kaufman (1925-1986), skillfully melding recitations of his verse together with rare archival photographs and interviews to offer a moving homage to the artist often called the “American Rimbaud.” Like Bless Their Little Hearts (1984), Woodberry’s celebrated neo-realist debut film, And When I Die, I Won’t Stay Dead chronicles with great sensitivity an unwritten chapter in the history of marginalized America, shedding new light on Kaufman’s still underappreciated poetry and the difficult struggles of the half-black, half-Jewish and fervently left-wing poet. A poet of the oral tradition, Kaufman’s verse was neither written nor recorded and threatened to disappear entirely if not for the valiant efforts of his second wife to publish her husband’s work. Equally fleeting was the figure of Kaufman himself, who once declared that his “ambition is to be completely forgotten” and who, at the height of his creative powers, took a self-imposed and apparently unbroken ten-year vow of silence in haunting lament for the assassinated John F. Kennedy. Woodberry, whose own thirty-one-year break from filmmaking is subtly acknowledged by his film, reasserts Kaufman’s fleeting yet vivid figure into the art and poetry scenes transforming Greenwich Village and San Francisco’s North Beach, offering first-hand accounts of Kaufman by fellow poets such as Jack Hirschman, as well as extraordinary photographs of the Happenings and haunts animated by Kaufman’s indelible presence. Especially resonant is Woodberry’s careful use of Kaufman’s own words, released like birds throughout the film, together with the understated fragments of the jazz and conga drums that so inspired the unique cadence and visionary language of Kaufman’s extraordinary poems. – Haden Guest

A look at the horror movies of the 1980's.

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Rio de Janeiro, May, 2012. João waits for Bia in front of the women’s restroom. However, she mysteriously disappears. Now, he doesn’t know if she died, was raptured or just fell in love with somebody else.

The scientists of a medical laboratory in Germany, Paul and his colleague Henry are researching on their own risk for a secret project. They try to reactivate the brain waves of a recently died human to collect information about the function of the human brain after its death. They are successful but with fatal results. The death body returns to live as an undead...

Town of the Living Dead is an unscripted series which follows a small Alabama town trying to complete their own independent zombie movie, Thr33 Days Dead - which has been six years in the making. Based on a town urban legend, their film centers on a group of friends trying to survive a zombie apocalypse in rural Alabama. The intrepid and motley crew of amateur filmmakers now has a deadline to hit - if they finish their film in time, Syfy will air it as an original movie. Given it's taken six years to make it, will getting it done in just a few weeks be achievable?